Welcome to Hump Day News guide to music venues: Boston and Beyond Edition. Small, medium, and large venues. Get out there!
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The Small Fries
Intimate dives can make for the best music experiences. Capacity 250 or less.
The Mid-Sized Vehicles
What you lose in intimacy at medium-sized clubs, you gain in better sound systems and more national touring acts.
The Venti Mofos
Big, bad, baller arena-type venues. Some have history and charm, others are corporate creations. For what you pay, you should be getting state of the art sounds and performances by the heavy hitters.
Go back to the future with Nighttime’s time-traveling wyrd folk spectacle Keeper Is The Heart.
“Fusion” is a genre-descriptor that is constantly on the verge of utter uselessness.
The gazey, dreampop excursion takes us into a languid interior dimension of emotional transcendence.
Kitner tells the story of life lived at the tail end of a boozy buzz, with another night of debauchery on the way.
Twen charts a course across the sound waves of trans-Atlantic pop on their LP One Stop Shop.
Ambient is no longer the province of purely theoretical sound experiments. Enter Iceblink.
A gooey, 12-stack musical layer cake, shotgun-blasted with rainbow sprinkles by a laughing clown.
NNAMDÏ ghosts his songs before they ghost him. But you’ll love Please Have A Seat anyway.
Already Dead remembers punk’s roots in political dissidence on their latest LP My Collar Is Blue.
“We’re just honored to be nominated” is bullshit said at Big Night Live.
The Somerville Songwriter Sessions hit the Rooted Cafe.
Illuminati Hotties miss the clean rhyme at The Sinclair.
Andrew Stern; interview with DIY venue 4th Wall organizers; and more.