Music
H.C. McEntire: “Dovetail”
This is Research Triangle Americana, so expect a brainier balladry.
Pile: “Loops”
Moody, broody, tutti frutti. Earth’s Pile returns to the fray with the full-length All Fiction.
Sweet Petunia: “People Watching”
Boston’s Sweet Petunia fires up experimental folk with harmonies for miles.
The Fabrication of Light
Chaya Czernowin showed off her new work “The Fabrication of Light” at the Sanders Theater.
High.: “Painbox”
High. crafts the kind of washed out emo that launches a thousand journal entries.
Sunshine Riot: “Looking at the Past”
Sunshine Riot’s new jam sounds like throwback skiffle jive before it explodes into a fiery ball of grunge.
Plastic: “No More”
Noise bath salad, served over a bed of hot coals by New York’s Plastic.
Bedridden: “Soft Soap”
Poppy, gazey, noisy, fuzzy, with a touch of emo despair on Bedridden’s “Soft Soap.”
Allston Is Better Than Or Equal To Flavortown
Crimelapse capped a four-stack bill at the Silhouette Lounge.
Dead Gowns: “Renter Not A Buyer”
No one’s got the money to buy, but there’s a certain freedom in not being tied down. Right?
Clifford: “Sea of Tragedy”
Millimeter-precise death metal in bunches from Boston’s Clifford.
Nighttime is the Righttime
Nighttime hit O’Brien’s Pub on the rollout of its new album Keeper is the Heart.
Laetitia Sadier: “Find Me the Pulse of the Universe”
Laetitia Sadier is the kind of artist who discovers the infinity of the universe in the palm of her hand.
Tannhäuser, or, Can This Website Handle Umlauts?
Andris Nelsons conducted selections from Wagner’s Tannhäuser at the BSO.