A Large Wooden Ship
The NEC Jazz Orchestra sings “Happy Birthday” to Charles Ives at Jordan Hall on Thursday, 17 October 2024.
Ives is dead though (1874-1954) so why do people insist on calling these sorts of things “birthdays”?
The guy hasn’t had a birthday since maybe 1954.
Ace the Quiz, Win the Tix
〰️
Hump Nights
〰️
Ace the Quiz, Win the Tix 〰️ Hump Nights 〰️
Born Innocent makes the case for Redd Kross as the seminal West Coast band of the last half century.
Ani DiFranco on a wild road trip from her punk-folk past to her life today.
ONCE plants its flag at The 4th Wall in the Capitol Theater.
A triplestack of rock in Rat City, USA.
A tale of sex, LSD, and rock n roll with psych punk pioneers.
The Austin, Texas band lays down the big dumb heavy riffs for all the party people.
A four-stack of indie rock served the right way at Midway Cafe.
Music, drag artists, probably not that much sex.
More music, drag artists, and probably not that much sex.
Sensory overload at the Capitol! Bands, arcade, 360 degree visual projection & screening of Scott Pilgrim vs the World.
Matinees are punk rock. Doors at 3PM.
Hump Nights
〰️
Ace the Quiz, Win the Tix
〰️
Hump Nights 〰️ Ace the Quiz, Win the Tix 〰️
The 150th birthday of great American composer Charles Ives at Jordan Hall!
Jordan Hall is one of those odd old concert halls that could not and should not be built today. It’s an ADA nightmare. The entire floor plan bucks and bows like an old wooden ship on stormy seas. If you have a wheelchair, spin a “180” and zip off in the opposite direction at full speed.
But is it a beautiful concert hall? Gorgeous. With the kind of detailed ornament that’s a sweet dream of a bygone era when there was a more vibrant and upwardly-mobile middle class with enough spending money to demand a little luxury (but not too much!) out of their public music halls.
The program for the evening was all Charles Ives, the American composer who arrived at some of the same modernist musical conclusions as his avant garde counterparts in Europe, all while carrying on as an insurance executive in Connecticut.
He’s not a jazz guy, but he composed during the jazz era, and conductor Ken Schaphorst arranged a bill of Ives’ works to fit a jazz orchestra. The fit was sometimes too snug, or too loose, and the horns tended to overpower the vocal parts. But the brass cacophony dovetailed nicely with the dissonance and discordance of Ives’ more experimental moments.
The bill as follows:
Ragtime Dance No. 4
In Summer Fields
Set for Theatre Orchestra
In the Cage
In the Inn
In the Night
Mina Nystad, Aviana Gedler, voice
The See’r
Three Places in New England
The “St. Gaudens” in Boston Common
Putnam’s Camp, Redding, Connecticut
The Housatonic at Stockbridge
Jillian Moore, voice
Photo Gallery
Andrew Stern; interview with DIY venue 4th Wall organizers; and more.
The 22nd Boston Celtic Music Festival takes over Camberville.